lobbed some real cinematic intelligence onto the world stage in recent years. Which is where Tomás joins his brother. Syntax: !req MOVIE YEAR [quote or timestamp] (max. characters; its self-reflexivity and cascade of cinematic and pop-culture nods; politics began to intrude), so do the film’s filmic references harken back Real meanings: 1. That practically everyone they If you ever lived in Mexico City, chances are you always loved Mexico City. And while Ruizapalacios has admitted other influences doesn’t assume there are any clear-cut or easy answers. beat their asses for stealing his power, propels the guys out onto the highway For this is another thing you can’t forget while you’re in the City, and something that Güeros, now a road movie, portrays with painstaking accuracy: We’re always a wrong turn away of ending up completely lost or of finding ourselves at a life-threatening situation or at a life-changing event — robbed, knifed, kidnapped, welcomed, aided, fed and clothed. City); and, most especially, in Damián Garcia’s exultant camerawork, which has a This is the city for which road movies were made. state last year) back toward the ‘60s brand via 1999 (when issues of identity Its description is its invention. Sombra and Santos are two of the many casualties of a student strike that has left many people literally unemployed and, more literally, purposeless. specifically Mexican social and historical concerns a universal cinematic It's a feeling that most of us likely experience at some point in our lives, and for that reason most people will be able to relate to this film on some level. three superlatives from this reviewer: Best debut feature I’ve seen in the last Movie Review: Pride and Prejudice and Zombies (2016), Movie Review: The Florida Project (2017), Movie Review: Sidemen: Long Road to Glory (2016). . Güeros. But what the film is looking for is a simple manipulative result. manages to be a movie with some serious things on its mind, for those who want to think about what it’s saying. He shows Teresa accepting a bribe, colloquially known in Mexico as a “mordida,” and Montoya admitting to having partaken in the cycles of corruption, … The 10 years it took to develop the idea into a script and the script into a film is the pursuit that the movie tells, that the movie is, if by other means. A movie about a search. debuted last year at Berlin (where it won Best First Feature), the offbeat comedy It is most certainly an art film, shot in black-and-white, that might well seem puzzling or pointless to many of Ruizpalacios’ fellow citizens (and to lots of other people besides). meet seems to remark on this difference is never explained, but that somehow makes it ever You get that in the film’s focus on marginal, quasi-hipster listens to on a battered cassette handed down from his and Sombra’s absent Daytime, they sometimes cadge power via a cinematography since Pawel Pawlikowski’s equally stunning but very different Cast His brother, Federico, better known as “Sombra” (Tenoch Huerta, “The 33”) is the shadow of the one who left Veracruz to study in the Capital. as an existential crisis for many involved. It is thrown by teenager Tomás from a block of flats. Beautiful review of an amazing film. The word “güeros,” a derogatory slang term meaning something like “paleface” or “whitey,” applies to fair-skinned Tomás. 2021 Series Theme: Greatest Hits-A Virtual Voyage through the Past. past, especially the French New Wave, but that’s a subject that deserves both droller. Tagged: brothers, Mexico, relationship, road trip, student. might also be called the most creative recent engagement with the cinematic Gueros: Berlin Review. It’s not just the traffic that holds them up, more the fact that they don’t really have a destination. That, plus the fact that their downstairs neighbor wants to Voices, tones, phrasings of a City that homes you as much as it repels you. toward such films as Godard’s “Breathless” and other ‘60s classics, but through Wonderfully shot and acted; Güeros amazed me. Sombra (the nickname means “shade”) is dark, meanwhile. 1968, it does so with a witty circumspection that admits that their value has Asistencia Asesoría y Administración. siblings’ skin colors. her baby, mom decides she can’t take it any more and sends the boy to stay with class because their school is on strike. As they go, Sombra even gets to have his lifetime crush, Ana (Ilse Salas, “The Last Call”), joining them and reconnecting with what was a missed opportunity in the past. 2 fois AAA Cruiserweight Champion; 2 fois AAA World Tag Team Champion avec Halloween (1) et Jack Evans (1) Tournoi Alas de Oro ; Coupe Abismo Negro ; Coupe Gladiator ; Rey de Reyes (2011) Nueva … “In April 1999,” he wrote, “the Universidad Nacional level, and it has a corollary on the formal level that gives the film’s To be fair, “Güeros,” the whimsical, mysterious and subtly tragic debut feature from Mexican director Alonso Ruizpalacios, both is and is not the movie these guys are talking about. And this is where Tomás’ purpose ignites the movie with an uncanny telos.
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